LP-22 ADR/Foley Processor | |
The LP-22 is a unique processor designed specifically for foley and dialog work in film and television post production, combining a high quality microphone preamp and full dynamics.
Specifications:
Mic Gain: adjustable from 0dB to 75dB
Signal to Noise Ratio: (EIN/150 ohms) 128 dB
Frequency Response +/- 1dB: 7Hz to 30kHz
Distortion at 1kHz: 0.001%
Input Impedance: 1.2kohm (constant impedance)
High Pass Filter: 35Hz to 600Hz @ 12 dB per octave
Low Pass Filter: 1kHz to 18kHz @ 12 dB per octave
Compressor Threshold: -20dBu to +10dBu
Release Time: 0.1 sec. to 4 sec.
Make-up Gain: 0dB to +20dB
De-esser Frequency: 800Hz to 18kHz
Expander Threshold: -30dBu to +8dBu
Range: 0dB to 50dB
Release Time: 0.1 sec. to 4 sec.
Line or key input level: +4dB nominal, balanced
Power Requirements: 115VAC/60Hz / 220VAC/50Hz
Dimensions: 19" x 1U (19" x 1.75" x 8.9") / (483mm x 44.5mm x 225mm)
Front and rear panel of the LP-22 in PDF format, click here.
Lafont Users Include:
4MC; All Post; American Zoetrope; AstralTech; Brasher Sound; Buzz Audio; Bark Audio; C.B.S. TV; Casablanca Sound; Chace Productions; Chicago Audio; Chicago Pacific Recording; Cliff Schwarz Recording; Cinar Films; Creative Cafe; Enterprise Post; Flying Monkey; International Recording; Location Sound; Magno Sound; Millennium Studios; Medallion PFA; Post Modern Sound; Novastar; Olympic Sound Studios; Sonolab; Soundfirm; Paramount Pictures; Premier Post; Signet Sound; Skywalker Sound; Sony Pictures; Sound One; The Beach; The Walt Disney Company; Todd AO Studios; Universal Pictures; Virtuality Recording; Warner Brothers; Warrenwood Studios; Westwind Media; 20th Century Fox